Showing posts with label Petrella's Imports. Show all posts
Showing posts with label Petrella's Imports. Show all posts

Monday, November 18, 2013

Petrella's Imports: Internet Protocol – November 23rd, 2013, 3pm - 5pm

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Petrella's Imports : Internet Protocol
November 23rd - November 30th
Opening Reception: November 23rd 3pm - 5pm
The Eastern side of the Pulitzer Fountain
5th Avenue between 58th st. and 59th st.


LINK

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Saturday, August 10, 2013

'suzannegeiss.net' @ Suzanne Geiss

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Maria Dekkenga
'suzannegeiss.net' at Suzanne Geiss
The current exhibition at The Suzanne Geiss Company isn't at the gallery space on Grand Street in Manhattan—it's in your computer. Every week until September 1st, a different artist or group takes over the SUZANNEGEISS.NET. The bunch of innovative, emerging multimedia artists includes AH HOLE AH HOLE, Joshua Citarella, Mariah Dekkenga, Owen Kydd, Petrella’s Imports, PplSft, Emily Segal, and Analisa Bien Teachworth. So yes, you can view the show in the comfort of your own office chair. Now isn't that cool?

Okay, I lie. You could still go to the gallery, mostly for the real-life installation topping off the digital project––a piece created by Soho's favorite newsstand, PETRELLA’S IMPORTS. I asked the curator Emily Ludwig Shaffer a few questions about the groundbreaking digital-meets-IRL series.

OPENING CEREMONY INTERVIEWS EMILY LUDWIG SHAFFER: LINK

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Tuesday, July 23, 2013

Home Screen - SuzanneGeiss.net @ The Suzanne Geiss Company opens Tuesday, July 30th, 2013

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Please join Petrella's Imports at Suzanne Geiss Company for the opening reception of Home Screen - an extension of Suzannegeiss.net.


Home Screen includes works by Nick Demarco, Maggie Lee & Tamara Gonzalez, Alisa Barenboym & Gregory Edwards, Melissa Brown, Peter Wilson, Joshua Abelow, David Knowles, Sean Monahan, Brian Belott, Cynthia Talmadge, Cat Kron, Fuckers Books, Rachel Lord, Hayley Aviva Silverman, Laura Hunt, Erica Sarlo, Izzy Galindo, Matt Leifheit & Nora Mcleod, Corey Riddell, Scrubbed Stove, Sara Greenberger Rafferty, Pete Watts, Jessie Stead, Narcissister & Arley Marks, Cali Thornhill Dewitt, Jamian Juliano-Villani, Dylan Bailey, Anne Kunsemiller, and Maia Ruth Lee.

Home Screen - SuzanneGeiss.net
76 Grand Street, NYC
July 30th - August 24, 2013

The Suzanne Geiss Company is pleased to present suzannegeiss.net, a temporary digital platform for emerging artists to utilize the url as a medium in the gallery context. Each week from July 1st to September 1st, a different artist or group will take over this domain. The content and purpose of suzannegeiss.net will be dictated by the artists during their allotted time, the gallery having no say in what appears on the site.

As an extension of suzannegeiss.net, Petrella’s Imports, one of the website’s contributors, will take over the gallery’s storefront space from July 30th to August 24th. For their online project, Petrella's will create a newsstand app almost identical to the app standard on digital devices. Instead of The New York Times, USA Today, or other ubiquitous publications, their app will feature digital artist projects. In the gallery, they will create a site-specific manifestation of the app involving take-away versions of the artist publications, continuing the group’s interest in physical versus digital outposts for contemporary art.

suzannegeiss.net takes a look at the changing relationship between artists and galleries and the mediums in which they function. Contributors include AH HOLE AH HOLE, Joshua Citarella, Mariah Dekkenga, Owen Kydd, Petrella’s Imports, PplSft, Edward Marshall Shenk, Emily Segal, and Analisa Bien Teachworth.

We welcome you to regularly stop by suzannegeiss.net to see how the site changes with each contributor, as well as our gallery storefront during Petrella’s Imports’ installation.

Organized by Emily Ludwig Shaffer.

'Petrella's Imports' was created by Anne Libby, Elise McMahon and Sophie Stone at the intersection of Bowery and Canal. At a time when the role of the newsstand as 'source of information' wanes, Petrella's Imports' newsstand acted as a physical outpost in a digital age, housing a surrogate inventory assembled from artist-made items including magazines and newspapers, postcards, prepackaged food, umbrellas and cigarettes. Their serial video project "Live Stream" documents and fictionalizes the newsstand's reified integration into New York City street life, suggesting an alternative to both art consumption and commercial culture.

SUZANNEGEISS.NET: LINK
SUZANNEGEISS.COM: LINK
INTERVIEW MAGAZINE ARTICLE: LINK

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Sunday, June 30, 2013

suzannegeiss.net organized by Emily Ludwig Shaffer

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On View July 01, 2013 - September 01, 2013

The Suzanne Geiss Company is pleased to present suzannegeiss.net, a temporary digital platform for emerging artists to utilize the url as a medium in the gallery context. Each week from July 1st to September 1st, a different artist or group will take over this domain. The content and purpose of suzannegeiss.net will be dictated by the artists during their allotted time, the gallery having no say in what appears on the site.

As an extension of suzannegeiss.net, Petrella’s Imports, one of the website’s contributors, will take over the gallery’s storefront space from July 30th to August 24th. For their online project, Petrella's will create a newsstand app almost identical to the app standard on digital devices. Instead of The New York Times, USA Today, or other ubiquitous publications, their app will feature digital artist projects and zines. In the gallery, they will create a site-specific manifestation of the app involving take-away versions of the artist publications, continuing the group’s interest in physical versus digital outposts for contemporary art.

suzannegeiss.net takes a look at the changing relationship between artists and galleries and the mediums in which they function. Contributors include AH HOLE AH HOLE, Joshua Citarella, Mariah Dekkenga, Owen Kydd, Petrella’s Imports, PplSft, Edward Marshall Shenk, Emily Segal, and Analisa Bien Teachworth.

We welcome you to regularly stop by suzannegeiss.net to see how the site changes with each contributor, as well as our gallery storefront during Petrella’s Imports’ installation.

CURRENT SCHEDULE

July 1 - AH HOLE AH HOLE
July 8 - Joshua Citarella
July 15 - Emily Segal
July 22 - Edward Marshall Shenk
July 29 - Petrella's Imports
August 5 - Owen Kydd
August 12 - Mariah Dekkenga
August 19 - PplSft
August 26 - Analisa Bien Teachworth 

link

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Wednesday, June 19, 2013

Petrella's Imports

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Located between Bowery and Canal stPetrella’s Imports (2013) is conceived as a hybrid reconstitution at a time when the originary purpose of the newsstand as ‘source of information’ diminishes. Petrella’s Imports aims to both re-imagine the offerings of these nodes of distribution and apply a different solution to their serviceability.

Artists Anne LibbyElise McMahon, and Sophie Stone works with a large number of creative collaborators in order to assemble a surrogate inventory of items (magazines and newspapers as well as postcards, prepackaged food, umbrellas, and cigarettes) found typically at commercial newsstands.

April 14th – June 30 2013
Thursday – Sunday 12PM-5:30PM
Returning in the Fall

MORE HERE: DIS MAGAZINE

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Saturday, April 13, 2013

Wednesday, April 10, 2013

Petrella's Imports opens @ the intersection of Bowery and Canal St. in New York City, April 14th, 12pm - 7pm

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TITLE: Petrella's Imports

ARTISTS: Anne Libby, Elise Mcmahon, Sophie Stone

LOCATION: The intersection of Bowery and Canal St.

DATE: April 14th-June 30th 2013

In the last ten years the New York City newsstand has experienced a massive transformation, undertaken with relative ease. The move extends from a municipal belief that older newsstands cluttered the city streets and were incongruous with a tourist culture in need of reinvigoration. The contemporary solution is a more uniform glass and steel construction built by a single contractor, in a single style. It has now gradually replaced those operated by sole proprietors, whose unique stands often reflected a heightened level of individual taste and character.

One of New York City's oldest and most celebrated newsstands was known as "Petrella's Point". It was located at the intersection of Bowery and Canal. Owned and operated by Adam Petrella, for 30 years, its brash red exterior coating and hand painted directions to nearby subways and neighborhoods were well known to those familiar with the area. As a personality, Mr Petrella was a neighborhood fixture, conversing with patrons and often handing out his own drawings of Marilyn Monroe and Bruce Lee to passersby. In 2004, "Petrella's Point" was removed and replaced by a stand of the newer design.

On this original site, Petrella's Imports (2013) is conceived as a hybrid reconstitution at a time when the originary purpose of the newsstand as 'source of information' wanes. Petrella's Imports aims to both re-imagine the offerings of these nodes of distribution, providing a different solution to their utile problem.  

An initiative by artists Anne Libby, Elise McMahon and Sophie Stone, Petrella's Imports works with a large number of creative collaborators in order to assemble a surrogate inventory of items (magazines and newspapers as well as postcards, prepackaged food, umbrellas and cigarettes) found typically at commercial newsstands.



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